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Rabbit Legs and Dead Boys

by Alphington

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1.
Holiday 02:56
Stage Five, and you’re unwell, the fed and breathing lonely hell That you now mistook for a daughter, marital bed witness to slaughter Stranger things have happened In the corners of your house You were so different back then, automobiles and marching bands Ford Falcon parked outside the station, eight months of folly and frustration Stranger things have happened, Stranger things have happened You were 22 years old You fell in love on holiday, the reverie and motorcade Atlas came six weeks later, imagination transposed to labour
2.
Our secret state, our principality A statute wrote, collaborated you and me Crowns of chalk, and plaster castles stand Milk and honey water, in the moats and in men Stay quiet, they won’t hear us, we’re not going to bed just yet Stay quiet, they won’t hear us, we’re not going to bed just yet Fighting for scraps, of the skin on your cheeks An easy war won without casualties (You are more of a boy than I could be) Stay quiet, they won’t hear us, we’re not going to bed just yet Stay quiet, they won’t hear us, we’re not going to bed just yet We’re not going to bed, or we’ll be trouble We will
3.
Every Mirror 03:13
Face down on my bed, lie down on my couch and hit my skull with a Dead Sea scroll This land is mine, this room is mine, don’t come inside me, just yet I’m gonna pull a white rabbit from your mouth for years I’m gonna pull a white rabbit from your mouth for years And I’m faithless at night sometimes, a winged horse, Pegasus The first dress I ever bought, the first thought to salt my earth And like Napoleon, he’ll only pillage my body, scar the continent of my wrists In a room with nothing sharp, a Stanley knife across your heart
4.
Held the brakes in my arms tight before the cameras In the basement of the mosque they had discovered us Foolish in our fifteen-year old ways, the fifty thousand old books said We were something foreign Mornings before school we’d sit around the TV screen Bootlegged tapes and Spartan figures like men’s magazines You were a red robin singing high up on your perch – but I was worse Imran I goaded you into the fiery earth Sunday school cartoons with Joseph as an antelope Classes we would skip and in the rivers we’d elope Swinging by the streams, how Merri creek still sings your name on every street Of your town impossibly – in dreams he returns to me Somewhere in the dark abyss of adulthood I scream Calling out your name amongst the massed purgatory But old Beelzebub isn’t so sweet to lovers forbidden to meet Each other’s mouths on each other’s cheeks
5.
Atlas 02:56
I woke up to blood and semen covering my thighs Atlas was birthed from my body, what a surprise I did not know that my fragile frame could carry a child Let alone one with ambitions so high Atlas just shrugged at his mother’s demise Deeply spoilt, most ungrateful child Plaid and knitted textures composed his skin Designed to hold all this trouble in Atlas, someday, you will grow larger than this house The walls will all cave in, the plaster falls out Electrical wire will seep into your body And you’ll remember when you still lived inside me
6.
Red Ribbons 02:39
7.
You talked in strings and you crumbled your words Far from composed, I suppose I’d infer Barely my senior, Hydrangea in bloom I watered the lawn, you came in my room My parents went to Torquay for a day Great Ocean Road and the arms of the bay The sounds of the speakers were splitting my ears But your voice’s cadence I could hear it through the carnival All of the colours in the night Persephone to the underworld Ali and the Book of the Dead Alone in your house with your hand on my thigh Anzac Day morning, brass figure arise Concluding the hunt and the end of the day Sodom and Gomorrah, on your lap I lay We would make out behind the Dairy Bell The storefront at night that led Beatrice to hell I was mistaken and I was surprised You left me cold by daylight Spin me around like a Mamluk Sad submerged memory arise Trapped in the den of my lover Trapped in the pit of your eyes Now every day in cognition In strange ideas you arise Bell on the crack of the morning My dandelion you will fly
8.
White 02:28
How white his arms, how weak his knees, how strange the book predicted me Like Heracles with steady feet, Agamemnon deep in foreign fields My brothers’ car broke in the yard, the fire spread both near and far I heard him cry from Galilee, he heard my song from Werribee Al Taqwa secret summer camp, the skin was taut, tied were his hands Oh, tell me where, you want to leave – and tell me where your body’s built At Taqwa, secret summer camp, the skin was taught his tied hands
9.
Something’s wrong in this house, whatever struck you during labour He grew up with a spine for spite, fifteen years later I’m sorry I’m not sorry for any of this You’ve been ill for quite a while now; you drove yourself to the doctors’ Talked to herself in her sleep, an absence of desire to dream An absence of a body on my bed, emptiness when I lie beside your head A living death, a fever dream, in dreams you return to me
10.
Sleeping In 04:01
Our secret state, bound by ridiculous fate Sobering adolescent mistakes I made at your mother’s Your fragile frame, which my shaking hands can’t refrain Oh god, for calamity’s sake, you were fifteen years younger Stay, quiet, in the back of your bedroom, I’ll carry your drip if you water the lawn And I’ll tie all the wires and I’ll cut all the coils Still you rest on this earth all the girt and the toil So I walk in the back of your hospital bed When the triage is empty and your sheets have been set But you lay there unconscious, you lie unaware When I felt half your arm only half of you was there So I lie awake in the dark of my room I imagine you there in your solitary tomb Will you rise from the dead or will you break my heart When I turn divine carpets, find nothing but marks So I left you a note, a Pomegranate seed To the world of the living from Persephone I remember your house, I remember you there Your lovely long locks then the lack of your hair

about

"Alphington is an indie pop outfit fronted by singer songwriter Alif Thomas Dodds, with a revolving cast of members. Their work is influenced by 1950s bubblegum pop, the indie folk of Neutral Milk Hotel as well as the repetition of minimalist composers such as Philip Glass. Lyrically the band deals in themes of gender, sexuality, nationality and identity.”

credits

released July 7, 2019

Alif Thomas Dodds - Vocals, Acoustic and Electric Guitar, Electric Bass, Wurlitzer, Piano, Glockenspiel, Electronics, Percussion, Drums (track 9).
Jules Pascoe - Electric and Upright Bass, Electric Guitar, Keyboards, Percussion, Production on all tracks.
Angus Leslie - Wurlitzer, Piano and Glockenspiel (track 1), Clarinet (tracks 7, 8), flute (track 7).
Rama Parwata - Drums and Percussion (tracks 2,3, 5, 6 and 8)

Art by Katherine Araoz
Record published and physical copies distributed by 56k Records

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Alif Thomas Dodds Melbourne, Australia

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